{"id":317,"date":"2011-03-03T20:00:00","date_gmt":"2011-03-03T20:00:00","guid":{"rendered":"http:\/\/pdxdrummer.com\/index.php\/2011\/03\/03\/todd-methods-pt-2-triplet-partials-in\/"},"modified":"2017-06-21T17:58:46","modified_gmt":"2017-06-21T17:58:46","slug":"todd-methods-pt-2-triplet-partials-in","status":"publish","type":"post","link":"https:\/\/pdxdrummer.com\/index.php\/2011\/03\/03\/todd-methods-pt-2-triplet-partials-in\/","title":{"rendered":"Todd&#39;s Methods, Pt. 2: triplet partials in Syncopation"},"content":{"rendered":"<p>The second <a href=\"http:\/\/shipdrummer.blogspot.com\/2011\/02\/todds-methods-pt-1-daku-daku-paradiddle.html\">in a series<\/a> of quick, sketchily-outlined demonstrations of my practice methods. Here I give a couple of my variations on common ways of using Ted Reed&#8217;s <a href=\"http:\/\/astore.amazon.com\/pddr-20\/detail\/0882847953\">Syncopation<\/a>. If you&#8217;ve worked with that book much, you&#8217;re aware that it can yield some very dense results. What I&#8217;ve done is simplify them a little to make them more musically appealing (and more Elvin-like), and to allow them to be used at faster tempos.<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/lh3.googleusercontent.com\/-kY8MaehYkkI\/TW_w8cZWuWI\/AAAAAAAAAfo\/wPYVExvv_0k\/s1600\/Finale+2008+-+%255Btodds-partials%255D_Page_1.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"https:\/\/lh3.googleusercontent.com\/-kY8MaehYkkI\/TW_w8cZWuWI\/AAAAAAAAAfo\/wPYVExvv_0k\/s320\/Finale+2008+-+%255Btodds-partials%255D_Page_1.jpg\" width=\"247\" \/><\/a><\/div>\n<p><a href=\"http:\/\/www.pdxdrummer.com\/downloads\/lessons_downloads\/drumset\/pdxdrummer.com_Todds-partials.pdf\">Download the pdf.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The second in a series of quick, sketchily-outlined demonstrations of my practice methods. Here I give a couple of my variations on common ways of using Ted Reed&#8217;s&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1084,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[492,502],"tags":[14,23,29,224,47,138,122],"class_list":["post-317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jazz","category-using-syncopation","tag-downloads","tag-drums","tag-jazz","tag-practice","tag-syncopation","tag-todds-methods","tag-triplets"],"_links":{"self":[{"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/posts\/317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/comments?post=317"}],"version-history":[{"count":1,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/posts\/317\/revisions"}],"predecessor-version":[{"id":1083,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/posts\/317\/revisions\/1083"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/media\/1084"}],"wp:attachment":[{"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/media?parent=317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/categories?post=317"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/tags?post=317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}