{"id":64,"date":"2012-09-30T04:06:00","date_gmt":"2012-09-30T04:06:00","guid":{"rendered":"http:\/\/pdxdrummer.com\/index.php\/2012\/09\/30\/alan-dawson-ruff-bossa\/"},"modified":"2017-06-21T18:03:31","modified_gmt":"2017-06-21T18:03:31","slug":"alan-dawson-ruff-bossa","status":"publish","type":"post","link":"https:\/\/pdxdrummer.com\/index.php\/2012\/09\/30\/alan-dawson-ruff-bossa\/","title":{"rendered":"Alan Dawson&#8217;s \u201cRuff Bossa\u201d"},"content":{"rendered":"<p>We&#8217;re <a href=\"http:\/\/shipdrummer.blogspot.com\/search\/label\/Rudimental%20Reed\">laying it on pretty thick<\/a> with the Reed interpretations right now, but I just went over this with a student, so I need to put up one more. It&#8217;s a swing interpretation with partially filled-in triplets, using the 8th note rest and syncopation sections of Reed (pp. 29-44 in the old edition). Alan Dawson called this the <a href=\"http:\/\/astore.amazon.com\/pddr-20\/detail\/0769265243\">\u201cRuff Bossa\u201d<\/a> interpretation for reasons I can&#8217;t fathom\u2014 there are no ruffs involved, and I can&#8217;t discern the Bossa Nova connection.<\/p>\n<p>So here&#8217;s how to interpret each written beat of the exercises, based on how the notes sound; after p. 32 \u00a0you&#8217;ll be dealing with rhythms that are equivalent to the ones below, but are written differently.<\/p>\n<p>Play written 8th notes as alternating swing 8ths:<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a style=\"margin-left: 1em; margin-right: 1em;\" href=\"http:\/\/2.bp.blogspot.com\/-ZeazzjO5KQo\/UGd2RKIiu5I\/AAAAAAAAB3w\/o148Nn_DfnE\/s1600\/paratriplets_8ths.jpg\"><img decoding=\"async\" src=\"https:\/\/pdxdrummer.com\/wp-content\/uploads\/2012\/09\/paratriplets_8ths.jpg\" height=\"90\" border=\"0\" \/><\/a><\/div>\n<p>Play written quarter notes (or the equivalent) as an 8th note triplet with a RLL sticking, accenting the right hand:<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a style=\"margin-left: 1em; margin-right: 1em;\" href=\"http:\/\/1.bp.blogspot.com\/-qt5kmWjkSGM\/UGcnFJsrhEI\/AAAAAAAAB2A\/wDfmEhUibus\/s1600\/paratriplets_quarters.jpg\"><img decoding=\"async\" src=\"https:\/\/pdxdrummer.com\/wp-content\/uploads\/2012\/09\/paratriplets_quarters.jpg\" height=\"93\" border=\"0\" \/><\/a><\/div>\n<p>Play notes sounding on an <i>&amp; only <\/i>as a triplet with a RRL sticking, accenting left:<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a style=\"margin-left: 1em; margin-right: 1em;\" href=\"http:\/\/2.bp.blogspot.com\/-_ZaQL7G4s8w\/UGcnKHF_JdI\/AAAAAAAAB2I\/9ltYlvkBwNs\/s1600\/paratriplets_ands.jpg\"><img decoding=\"async\" src=\"https:\/\/pdxdrummer.com\/wp-content\/uploads\/2012\/09\/paratriplets_ands.jpg\" height=\"93\" border=\"0\" \/><\/a><\/div>\n<p>On beats where there&#8217;s no note sounding\u2014 like if there&#8217;s a rest, or the end of a tied\/dotted note, or some combination thereof\u2014 use whichever triplet sticking you like, but don&#8217;t accent.<\/p>\n<p>Examples after the break:<\/p>\n<p><a name=\"more\"><\/a><\/p>\n<p>So <a href=\"https:\/\/pdxdrummer.com\/index.php\/2012\/09\/21\/rudimental-reed-paradiddles\/\">line one of Exercise 1<\/a>, p. 37 in Syncopation would be played as follows, swinging the 8th notes as above:<\/p>\n<p>&nbsp;<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a style=\"margin-left: 1em; margin-right: 1em;\" href=\"http:\/\/4.bp.blogspot.com\/-9HchIPEEO0U\/UGcnN1KwNsI\/AAAAAAAAB2Q\/GteWxCBW51A\/s1600\/paratriplets_01.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pdxdrummer.com\/wp-content\/uploads\/2012\/09\/paratriplets_01.jpg\" width=\"400\" height=\"57\" border=\"0\" \/><\/a><\/div>\n<p>And line one of Exercise 2:<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a style=\"margin-left: 1em; margin-right: 1em;\" href=\"http:\/\/1.bp.blogspot.com\/-_9d4nLjr22w\/UGcnTdR273I\/AAAAAAAAB2Y\/dDfft4K88w4\/s1600\/paratriplets_02.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pdxdrummer.com\/wp-content\/uploads\/2012\/09\/paratriplets_02.jpg\" width=\"400\" height=\"58\" border=\"0\" \/><\/a><\/div>\n<p>I should also note that you should not play the accents too mechanically; they need to have a dynamic contour of their own. In general you should accent written tied notes, \u201changing\u201d &amp;s with nothing sounding in the next beat, and occasional notes on or off the beat during a longer run of 8th notes. The triplet filler notes should be played very quietly.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;re laying it on pretty thick with the Reed interpretations right now, but I just went over this with a student, so I need to put up one&#8230;<\/p>\n","protected":false},"author":1,"featured_media":506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"categories":[501,502],"tags":[120,23,29,93,121,55,47,48,122],"class_list":["post-64","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fillingsoloing","category-using-syncopation","tag-alan-dawson","tag-drums","tag-jazz","tag-music","tag-ruff-bossa","tag-snare","tag-syncopation","tag-ted-reed","tag-triplets"],"_links":{"self":[{"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/posts\/64","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/comments?post=64"}],"version-history":[{"count":3,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/posts\/64\/revisions"}],"predecessor-version":[{"id":1408,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/posts\/64\/revisions\/1408"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/media\/506"}],"wp:attachment":[{"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/media?parent=64"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/categories?post=64"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pdxdrummer.com\/index.php\/wp-json\/wp\/v2\/tags?post=64"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}