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Transcription: Aretha Franklin — Chain of Fools

You’ve probably never heard of the drummer here, Roger Hawkins, but he played on a bunch of huge records, and must have one of the most divergent personal…

Basic paradiddle funk

Man, there’s just a whole lot of stuff besides blogging on my mind lately— like a Europe tour and recording project— so we may not see a lot…

Rudimental Reed: five stroke rolls

I’ve been fooling around with applying some rudiments to the long exercises in Syncopation, by Ted Reed. We’ll start humbly with it, converting the written quarter notes (and…

Hemiola basics

The hemiola— also called the 3:2 polyrhythm– is a basic polyrhythm using layered even two and three note rhythms. What I’ve done here is outline some ways of…

Six stroke rolls around the drums

I’m just cranking them out today. I’ve been using the last paradiddles around the drums thing so much I decided to write up something similar using another familiar…

Kernels of Cascara

My students have been doing so well with my “kernels” concept that I’ve decided to write up a real challenge for them: cascara with the clave in the…

First-inversion paradiddles around the drums

This came up in my own practice today, and I went ahead and wrote it up. I’ve been doing a fair amount of this kind of thing lately-…

Bass drum variations for bossa nova

Bossa nova can be a very static style for novices- I’ve noticed in teaching that they have a hard time getting away from the standard, repetitive pattern. And,…

Transcription: James Gadson – Use Me

I guess we could also file this under Groove o’the day. While I’m getting some longer posts together, here are James Gadson’s drum breaks from the song Use…

Todd’s methods: Afro-Cuban in 6/8 and 3/4

Here’s something I wrote strictly for my own use, which I thought I would share for you to make of what you will. The Afro 6/8 has been…