Tag: Todd’s Methods

Half-time feel rock using Syncopation

Extending my previous series on making rock/pop beats using Ted Reed’s Syncopation, here is a way of making a half time feel using the same concept, except we…

Coordination "kernels" – further examples

You may have noticed I’ve been on rather light posting this last week. Expect that to continue for the next several days; this week I’ll be recording my…

Todd’s methods: Afro-Cuban in 6/8 and 3/4

Here’s something I wrote strictly for my own use, which I thought I would share for you to make of what you will. The Afro 6/8 has been…

Simple variations on Syncopation, Lesson 4

That’s pages 10-11 for those of you with the old edition– as you can see I’ve given up completely and started referring to the parts by their new…

Matt's paradiddle thing, pt. 2

As I’ve mentioned, I’ve been working a bunch with the paradiddle page I wrote up for my student Matt F, usually combining single repetitions of each exercise, as…

Stick Control expander – Rhythm, part 1

One of the things I’m working on getting together is an array of stuff to do with Stick Control, that do not make more sense to do by…

Todd's methods: bongo beat

Here’s an easy system I developed for playing a generic Latin feel very bright tempos: A few notes there weren’t room for on the pdf:– Can be played…

Todd's methods: same-handed flam accents

This is something that came organically out of my own playing- it came up again and again in improvising for years before I finally analyzed it. The only…

Todd's Methods, pt. 3: Rock beats with Syncopation

Most drum books present their stuff fully written out verbatim for the drum set, which is fine for learning patterns, but not for thinking like a musician. This…

Todd's Methods, Pt. 2: triplet partials in Syncopation

The second in a series of quick, sketchily-outlined demonstrations of my practice methods. Here I give a couple of my variations on common ways of using Ted Reed’s…