Month: September 2012
We’re laying it on pretty thick with the Reed interpretations right now, but I just went over this with a student, so I need to put up one…
Today’s Rudimental Reed entry is pretty straightforward— just make a ruff out of any note that doesn’t have an (untied) 8th note before it. That’s an awkward way…
Another entry in our “Rudimental Reed” series, in which we outline some methods for apply rudiments to the long exercises in Ted Reed’s Syncopation, this time using paradiddles….
Extending my previous series on making rock/pop beats using Ted Reed’s Syncopation, here is a way of making a half time feel using the same concept, except we…
From Steve Houghton’s book Studio and Big Band Drumming, here’s an alternate sticking method for making triplets out of Syncopation. For most people the most familiar method is…
Man, there’s just a whole lot of stuff besides blogging on my mind lately— like a Europe tour and recording project— so we may not see a lot…